donna haraway

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Last week, Artsy.net’s Izabella Scott wrote this piece about how and why the aesthetic of witchcraft is making a comeback in the art world, which is pretty pleasantly timed as not only are we all eagerly awaiting Kim Boekbinder’s NOISEWITCH, but I also just sat down with Rose Eveleth for the Flash Forward Podcast to talk for her season 2 finale.

You see, Rose did something a little different this time. Instead of writing up a potential future and then talking to a bunch of amazing people about it, like she usually does, this episode’s future was written by an algorithm. Rose trained an algorithm called Torch not only on the text of all of the futures from both Flash Forward seasons, but also the full scripts of both the War of the Worlds and the 1979 Hitchhiker’s Guide to the Galaxy radio plays. What’s unsurprising, then, is that part of what the algorithm wanted to talk about was space travel and Mars. What is genuinely surprising, however, is that what it also wanted to talk about was Witches.

Because so far as either Rose or I could remember, witches aren’t mentioned anywhere in any of those texts.

ANYWAY, the finale episode is called “The Witch Who Came From Mars,” and the ensuing exegeses by several very interesting people and me of the Bradbury-esque results of this experiment are kind of amazing. No one took exactly the same thing from the text, and the more we heard of each other, the more we started to weave threads together into a meta-narrative.

Episode 20: The Witch Who Came From Mars

It’s really worth your time, and if you subscribe to Rose’s Patreon, then not only will you get immediate access to the full transcript of that show, but also to the full interview she did with PBS Idea Channel’s Mike Rugnetta. They talk a great deal about whether we will ever deign to refer to the aesthetic creations of artificial intelligences as “Art.”

And if you subscribe to my Patreon, then you’ll get access to the full conversation between Rose and me, appended to this week’s newsletter, “Bad Month for Hiveminds.” Rose and I talk about the nature of magick and technology, the overlaps and intersections of intention and control, and what exactly it is we might mean by “behanding,” the term that shows up throughout the AI’s piece.

And just because I don’t give a specific shoutout to Thoth and Raven doesn’t mean I forgot them. Very much didn’t forget about Raven.

Also speaking of Patreon and witches and whatnot, current $1+ patrons have access to the full first round of interview questions I did with Eliza Gauger about Problem Glyphs. So you can get in on that, there, if you so desire. Eliza is getting back to me with their answers to the follow-up questions, and then I’ll go about finishing up the formatting and publishing the full article. But if you subscribe now, you’ll know what all the fuss is about well before anybody else.

And, as always, there are other ways to provide material support, if longterm subscription isn’t your thing.

Until Next Time.


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These past few weeks, I’ve been  applying to PhD programs and writing research proposals, and abstracts. The one I just completed, this weekend, was for the University College of Dublin, and it was pretty straightforward, though it seemed a little short. They only wanted two pages of actual proposal, plus a tentative bibliography and table of contents, where other proposals I’ve seen have wanted anywhere from ten to 20 pages worth of methodological description and outline.

In a sense, this project proposal is a narrowed attempt to move  along one of the multiple trajectories traveled by A Future Worth Thinking About. In another sense, it’s an opportunity to recombine a few components and transmute it into a somewhat new beast.

Ultimately, AFWTA is pretty multifaceted—for good or ill—attempting to deal with way more foundational concepts than a research PhD has room for…or feels is advisable. So I figure I’ll do the one, then write a book, then solidify a multimedia empire, then take over the world, the abolish all debt, then become immortal, all while implementing everything we’ve talked about in the service of completely restructuring humanity’s systems of value, then disappear into legend. You know: The Plan.

…Anyway, here’s the proposal, below the cut.  If you want to read more about this, or have some foundation, take a look back at “Fairytales of Slavery…” We’ll be expounding from there.


 

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