mary shelley

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Below are the slides, audio, and transcripts for my talk “SFF and STS: Teaching Science, Technology, and Society via Pop Culture” given at the 2019 Conference for the Society for the Social Studies of Science, in early September.

(Cite as: Williams, Damien P. “SFF and STS: Teaching Science, Technology, and Society via Pop Culture,” talk given at the 2019 Conference for the Society for the Social Studies of Science, September 2019)

[Direct Link to the Mp3]

[Damien Patrick Williams]

Thank you, everybody, for being here. I’m going to stand a bit far back from this mic and project, I’m also probably going to pace a little bit. So if you can’t hear me, just let me know. This mic has ridiculously good pickup, so I don’t think that’ll be a problem.

So the conversation that we’re going to be having today is titled as “SFF and STS: Teaching Science, Technology, and Society via Pop Culture.”

I’m using the term “SFF” to stand for “science fiction and fantasy,” but we’re going to be looking at pop culture more broadly, because ultimately, though science fiction and fantasy have some of the most obvious entrees into discussions of STS and how making doing culture, society can influence technology and the history of fictional worlds can help students understand the worlds that they’re currently living in, pop Culture more generally, is going to tie into the things that students are going to care about in a way that I think is going to be kind of pertinent to what we’re going to be talking about today.

So why we are doing this:

Why are we teaching it with science fiction and fantasy? Why does this matter? I’ve been teaching off and on for 13 years, I’ve been teaching philosophy, I’ve been teaching religious studies, I’ve been teaching Science, Technology and Society. And I’ve been coming to understand as I’ve gone through my teaching process that not only do I like pop culture, my students do? Because they’re people and they’re embedded in culture. So that’s kind of shocking, I guess.

But what I’ve found is that one of the things that makes students care the absolute most about the things that you’re teaching them, especially when something can be as dry as logic, or can be as perhaps nebulous or unclear at first, I say engineering cultures, is that if you give them something to latch on to something that they are already from with, they will be more interested in it. If you can show to them at the outset, “hey, you’ve already been doing this, you’ve already been thinking about this, you’ve already encountered this, they will feel less reticent to engage with it.”

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So, many of you may remember that back in June of 2016, I was invited to the Brocher Institute in Hermance, Switzerland, on the shores of Lake Geneva, to take part in the Frankenstein’s Shadow Symposium sponsored by Arizona State University’s Center for Science and the Imagination as part of their Frankenstein Bicentennial project.

While there, I and a great many other thinkers in art, literature, history, biomedical ethics, philosophy, and STS got together to discuss the history and impact of Mary Shelley’s Frankenstein. Since that experience, the ASU team compiled and released a book project: A version of Mary Shelley’s seminal work that is filled with annotations and essays, and billed as being “For Scientists, Engineers, and Creators of All Kinds.”

[Image of the cover of the 2017 edited, annotated edition of Mary Shelley’s Frankenstein, “Annotated for Scientists, Engineers, and Creators of All Kinds.”]

Well, a few months ago, I was approached by the organizers and asked to contribute to a larger online interactive version of the book—to provide an annotation on some aspect of the book I deemed crucial and important to understand. As of now, there is a full functional live beta version of the website, and you can see my contribution and the contributions of many others, there.

From the About Page:

Frankenbook is a collective reading and collaborative annotation experience of the original 1818 text of Frankenstein; or, The Modern Prometheus, by Mary Wollstonecraft Shelley. The project launched in January 2018, as part of Arizona State University’s celebration of the novel’s 200th anniversary. Even two centuries later, Shelley’s modern myth continues to shape the way people imagine science, technology, and their moral consequences. Frankenbook gives readers the opportunity to trace the scientific, technological, political, and ethical dimensions of the novel, and to learn more about its historical context and enduring legacy.

To learn more about Arizona State University’s celebration of Frankenstein’s bicentennial, visit

You’ll need to have JavaScript enabled and ad-blocks disabled to see the annotations, but it works quite well. Moving forward, there will be even more features added, including a series of videos. will be the place to watch for all updates and changes.

I am deeply honoured to have been asked to be a part of this amazing project, over the past two years, and I am so very happy that I get to share it with all of you, now. I really hope you enjoy it.

Until Next Time.

It’s been quite some time (three years) since it was done, and some of the recent conversations I’ve been having about machine consciousness reminded me that I never posted the text to my paper from the joint session of the International Association for Computing And Philosophy and the The British Society for the Study of Artificial Intelligence and the Simulation of Behaviour, back in 2012.

That year’s joint ASIB/IACAP session was also a celebration of Alan Turing‘s centenary, and it contained The Machine Question Symposium, an exploration of multiple perspectives on machine intelligence ethics, put together by David J Gunkel and Joanna J Bryson. So I modded a couple of articles I wrote on fictional depictions of created life for, back in 2010, beefed up the research and citations a great deal, and was thus afforded my first (but by no means last) conference appearance requiring international travel. There are, in here, the seeds of many other posts that you’ll find on this blog.

So, below the cut, you’ll find the full text of the paper, and a picture of the poster session I presented. If you’d rather not click through, you can find both of those things at this link.

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