pop culture

All posts tagged pop culture

[This is a in-process pre-print of an as-yet-published paper, a version of which was presented at the Gender, Bodies, and Technology 2019 Conference.]

INTRODUCTION

The history of biotechnological intervention on the human body has always been tied to conceptual frameworks of disability and mental health, but certain biases and assumptions have forcibly altered and erased the public awareness of that understanding. As humans move into a future of climate catastrophe, space travel, and constantly shifting understanding s of our place in the world, we will be increasingly confronted with concerns over who will be used as research subjects, concerns over whose stakeholder positions will be acknowledged and preferenced, and concerns over the kinds of changes that human bodies will necessarily undergo as they adapt to their changing environments, be they terrestrial or interstellar. Who will be tested, and how, so that we can better understand what kinds of bodyminds will be “suitable” for our future modes of existence?[1] How will we test the effects of conditions like pregnancy and hormone replacement therapy (HRT) in space, and what will happen to our bodies and minds after extended exposure to low light, zero gravity, high-radiation environments, or the increasing warmth and wetness of our home planet?

During the June 2018 “Decolonizing Mars” event at the Library of Congress in Washington, DC, several attendees discussed the fact that the bodyminds of disabled folx might be better suited to space life, already being oriented to pushing off of surfaces and orienting themselves to the world in different ways, and that the integration of body and technology wouldn’t be anything new for many people with disabilities. In that context, I submit that cyborgs and space travel are, always have been, and will continue to be about disability and marginalization, but that Western society’s relationship to disabled people has created a situation in which many people do everything they can to conceal that fact from the popular historical narratives about what it means for humans to live and explore. In order to survive and thrive, into the future, humanity will have to carefully and intentionally take this history up, again, and consider the present-day lived experience of those beings—human and otherwise—whose lives are and have been most impacted by the socioethical contexts in which we talk about technology and space.

This paper explores some history and theories about cyborgs—humans with biotechnological interventions which allow them to regulate their own internal bodily process—and how those compare to the realities of how we treat and consider currently-living people who are physically enmeshed with technology. I’ll explore several ways in which the above-listed considerations have been alternately overlooked and taken up by various theorists, and some of the many different strategies and formulations for integrating these theories into what will likely become everyday concerns in the future. In fact, by exploring responses from disabilities studies scholars and artists who have interrogated and problematized the popular vision of cyborgs, the future, and life in space, I will demonstrate that our clearest path toward the future of living with biotechnologies is a reengagement with the everyday lives of disabled and other marginalized persons, today.

Continue Reading

So The U.S. Transhumanist Party recently released some demographic info on their first 1,000 members, and while they seem to be missing some some rather crucial demographic markers, here, such as age and ethnicity, the gender breakdown is about what you’d expect.

I mention this because back at the end of June I attended the Decolonizing Mars Unconference, at the Library of Congress in D.C. It was the first time I had been in those buildings since I was a small child, and it was for such an amazing reason.

We discussed many topics, all in the interest of considering what it would really mean to travel through space to another planet, and to put humans and human interests there, longterm. Fundamentally, our concern was, is it even possible to do all of this without reproducing the worst elements of the colonialist projects we’ve seen on Earth, thus far, and if so, how do we do that?

[Image of Mars as seen from space, via JPL]

Continue Reading

 

Others have already examined the dances, the layering of images, so  much else, but wanted to try to… evoke something of what I felt, watching this.

The absolute bare minimum simplest way to interpret this working is as an attempt to force a reckoning with the fact of and our complicity within the commodification of life, death, and culture, generally, and most specifically the commodification of black lives, deaths, cultures.

Donald Glover’s newest song and video (song and dances, singing and dancing, schuckin’ and jivin’) constitute a celebration and a condemnation. It is about and IS complicity in the system which demands that black people sing and dance or die—as in either be killed for not singing and dancing the way those with power want you to, or just, y’know, die for all they care (though if we kill each other who cares [“Go Away”]), but we’d better not resist (in any way they can understand, and even then our time on the stage in the spotlight had better be brief and cultivated for their pleasure), and we’d better not show anything real—unless it has a beat and you can dance to it.

I say again, it is a condemnation of this, and is about this, but it also is this. Because it has to be? Because the only time this country is Happy to listen to the voices of black people is when they’re porgy-and-bess-in’ it…but also because Glover knows that’s what it takes to sell his art, tell his stories, to stay alive long enough to do so. (“Get your money, Black man.”)

But when you’re the product of 500 years of kidnapping and genocide, shouldn’t you get/don’t you need/want to breathe and laugh and dance, in spite of—because of—everything… and to keep it from happening to you?

This song and this video is about all of that. (And all the guilt and weight and weariness that all of that implies.)

I want this placed in conversation with both Beyoncé’s “Formation” working, and the series version of DEAR WHITE PEOPLE. Maybe in a classroom, or a podcast, or a panel discussion at a conference. I want scholars of color to undertake an exegesis of fame and incantations of power and safety in PoC-made pop media, and I want in any way, shape, or form that it can be made to happen.

Hello, there, old readers and new.

It’s been a pretty harrowing week, everywhere in this world, with many strange and terrible things happening all throughout. We are definitely going to spend some time orienting ourselves within those things, and integrating them into the world, but right now, I figure we can all use a little bit of a breather—a little headcleaner.

So with that being the case, here’s a little pop culture conversation between me and some of our fine friends over at Need Coffee Dot Com:

The 12 Monkeys Group Therapy Session

It’s a pretty freewheeling, stream-of-consciousness ramble about the first season of Syfy’s serialized televisual take on the time travel epic 12 Monkeys. This is the first of at least two conversations I’ll be having with various groups of people about this show, and I think acts as a nice mental palette cleanser, before we get into some heavier stuff, this coming week.

Hope you enjoy it, and if you do, please tell your friends.