Last week, Artsy.net’s Izabella Scott wrote this piece about how and why the aesthetic of witchcraft is making a comeback in the art world, which is pretty pleasantly timed as not only are we all eagerly awaiting Kim Boekbinder’s NOISEWITCH, but I also just sat down with Rose Eveleth for the Flash Forward Podcast to talk for her season 2 finale.
You see, Rose did something a little different this time. Instead of writing up a potential future and then talking to a bunch of amazing people about it, like she usually does, this episode’s future was written by an algorithm. Rose trained an algorithm called Torch not only on the text of all of the futures from both Flash Forward seasons, but also the full scripts of both the War of the Worlds and the 1979 Hitchhiker’s Guide to the Galaxy radio plays. What’s unsurprising, then, is that part of what the algorithm wanted to talk about was space travel and Mars. What is genuinely surprising, however, is that what it also wanted to talk about was Witches.
Because so far as either Rose or I could remember, witches aren’t mentioned anywhere in any of those texts.
ANYWAY, the finale episode is called “The Witch Who Came From Mars,” and the ensuing exegeses by several very interesting people and me of the Bradbury-esque results of this experiment are kind of amazing. No one took exactly the same thing from the text, and the more we heard of each other, the more we started to weave threads together into a meta-narrative.
It’s really worth your time, and if you subscribe to Rose’s Patreon, then not only will you get immediate access to the full transcript of that show, but also to the full interview she did with PBS Idea Channel’s Mike Rugnetta. They talk a great deal about whether we will ever deign to refer to the aesthetic creations of artificial intelligences as “Art.”
And if you subscribe to my Patreon, then you’ll get access to the full conversation between Rose and me, appended to this week’s newsletter, “Bad Month for Hiveminds.” Rose and I talk about the nature of magick and technology, the overlaps and intersections of intention and control, and what exactly it is we might mean by “behanding,” the term that shows up throughout the AI’s piece.
And just because I don’t give a specific shoutout to Thoth and Raven doesn’t mean I forgot them. Very much didn’t forget about Raven.
Also speaking of Patreon and witches and whatnot, current $1+ patrons have access to the full first round of interview questions I did with Eliza Gauger about Problem Glyphs. So you can get in on that, there, if you so desire. Eliza is getting back to me with their answers to the follow-up questions, and then I’ll go about finishing up the formatting and publishing the full article. But if you subscribe now, you’ll know what all the fuss is about well before anybody else.
And, as always, there are other ways to provide material support, if longterm subscription isn’t your thing.
Until Next Time.
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